Archive for the 'Arts and Culture' Category

Apr 01 2008

Nemiranda and the Blanco Family Museum

After lunch, we visited the Nemiranda Art House which houses the Angono School of Arts. Of all the galleries we visited today, this is the one I've already been to during the Higantes Festival in 2006. In fact, we had a sumptuous fiesta lunch courtesy of the artist himself.

There were several paintings on display in his gallery. But one painting called Isang Kahig Isang Tuka struck me because of the powerful symbolisms used. It's a woman giving birth to her sixth child. Behind her on the left are her five other children holding cigarettes and garlands of sampaguita which they sell on the street. In front of them is a plate with a single piece of galunggong. Behind her on the right is her husband drinking. While beside here is the statue of the Sto. Nino and placed under it is an unused condom. Sad but true, this painting tells us about realities here in the Philippines don't you think?

Our last stop was the Blanco Family Museum. The family of Jose "Pitok" Blanco and his wife Loring is so unique because they and their children namely: Glenn, Noel, Michael, Joy, Jan, Gay and Peter Paul are all master painters in their own right. And they all follow the school of Realism, depicting subjects as they appear in everyday life.

Walking around the museum was a wonderful experience because of the beautiful images of the country and beyond which they have captured in their paintings. This is indeed a must visit for everyone.

I had to leave early since I had to catch my class. So I was not able to join the group when they visited what is probably the oldest existing artwork in the Philippines, the Angono Petroglyphs in Binangonan. But since I've been there already, just check out my previous entry on it.

Part 1: Art gallery overload in Angono, Rizal
Part 2: Lunch at Balaw-Balaw Restaurant in Angono

Related entries
Viva San Clemente! Higantes of Angono, Rizal
Angono is the Art Capital of the Philippines
Angono Petroglyphs in Binangonan, Rizal

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Mar 31 2008

Lunch at Balaw-Balaw Restaurant in Angono

As part of Havila's tour of the Angono area, we visited the Balaw-Balaw Folk Art Museum of the late Perdigon Vocalan for lunch. It's more known as the Balaw-Balaw Restaurant which serves both local specialties and exotic foods. For the brave, try ordering uok (larva of beetles that are found in coconut trees cooked as adobo or steamed in tamarind fruit and tomatoes just like escargot), nilasing na palaka (frogs marinated in wine and cooked as adobo), kamaru (a popular Kapampangan cricket dish), Soup No. 5 (cow butt and balls), bibingkang abnoy (aborted duck eggs cooked in banana leaves) or palos (freshwater eel cooked as adobo).

There are also unusual salads such as rose petal salad, rose petal tempura, bougainvillea salad, or crispy alagaw leaves (like crispy spinach or kangkong). But for today, they served us the traditional foods.

If you're a group, you might to their Minaluto which is a little of everything such as chicken and prok adobo, various seafoods and vegetables, steamed with a heaping mound of rice and served in a large bamboo container lined with banana leaves. Minaluto is another term for binalot or a meal with rice packed in banana leaves. It's a little over PHP1100++ if I remember it right.

Above and around the restaurant are paintings and sculptures of Vocalan, a lot of them! Indeed, the place was a feast for the eyes, mind and stomach.

Part 1: Art gallery overload in Angono, Rizal
Part 3: Nemiranda and the Blanco Family Museum

Related entries
Viva San Clemente! Higantes of Angono, Rizal
Angono is the Art Capital of the Philippines
Angono Petroglyphs in Binangonan, Rizal

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Mar 31 2008

Art gallery overload in Angono, Rizal

Angono, Rizal is indeed the Art Capital of the Philippines. It's actually the center of an artists haven which includes the neighboring towns of Binangonan and Morong, an area which abounds with art galleries, museums, shrines and studios.

We went around Angono today courtesy of Havila since they wanted to show us the wonderful and conducive environment their communities are built in. So after a brief tour of their various developments, we went to Angono.

Our first stop was the house of Carlos "Botong" Francisco, National Artist for Visual Arts, along Dona Aurora Street. When Botong was still alive, his house also served as his studio. In front of it is the gallery of its current occupant, his grandson Carlos "Totong" Francisco II named The Second Gallery.

Dona Aurora Street is actually famous for its concrete street murals, contemporary works by artists Charlie Anorico, Gerry Bantang and Ebong Pinpino depicting the different paintings of Botong Francisco. Almost every house has at least one mural. And we were lucky to chance upon Charlie Anorico working on a new mural.

At one end of Poblacion Itaas are the busts of the towns national artists namely Botong and Lucio San Pedro, National Artist for Music. At the opposite end, the notes of San Pedro's immortal lullaby Sa Ugoy ng Duyan are inscribed on the walls of one of the houses. Indeed, a walk through Dona Aurora Street in Pobalcion Itaas gives us a glimpse of Botong's paintings.

Part 2: Lunch at Balaw-Balaw Restaurant in Angono
Part 3: Nemiranda and the Blanco Family Museum

Related entries
Viva San Clemente! Higantes of Angono, Rizal
Angono is the Art Capital of the Philippines
Angono Petroglyphs in Binangonan, Rizal

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Mar 21 2008

Crucifixion rites held in San Pedro Cutud every Good Friday

Just like last year, I found myself in San Pedro Cutud in San Fernando, Pampanga today to witness the Via Crucis, a Kapampangan passion play which has been the heart of the annual crucifixions here in the city, which is more popularly know as the San Pedro Cutud Lenten Rites.

As the crucifixions are highlighted, many fail to recognize that they are part of an old cultural tradition of the barangay, a passion play written in the vernacular, which has been passed on from generation to generation. In fact, it's already in the third generation of the Navarro clan.

I was pleasantly surprised that vehicles are now allowed to enter San Pedro Cutud. And it was even more pleasant when I saw that there was ample parking at the site. In previous years, it was a long 2 kilometer walk from the gate of the barangay under the heat of the scorching summer sun.

While waiting for the Via Crucis to arrive, flagellants would climb the hill and pay homage at the foot of the cross ending their annual Lenten sacrifice or panata. Most of the time, silence envelopes the crowd as the bloodied penitents make their way up, giving them time to be "alone" with God. But while most encounters are solemn, there are some under the influence of alcohol (it is said that they down a bottle of beer to speed up the circulation of blood), and a rare few who make a scene up the hill thus eliciting laughter from the crowd to the dismay of local officials who have them escorted down immediately.

This year, the Via Crucis started late. The play arrived close to 2 p.m. And by that time, we had been under the sun for over three hours! It was good though that they were able to keep non-cast members off the hill this time around. The scores of barangay tanod and alalay (assistants) who usually joined the cast up the hill were asked to get down. While some of the stubborn foreign media who would usually force their way up, though they were able to slip into the restricted area, were kept at the middle level, away from the top of the hill.

Before I left, I was told that there were fourteen penitents who were going to be nailed to the cross this year, including two women. But a news article reported nineteen! Anyway, I left at about 3 p.m. for my annual visit to relatives. Since Good Friday is one of those events when San Fernando old families gather (usually to prepare their carroza for the elegant Good Friday procession in the evening), kitchens are busy preparing the best Lenten dishes. We wouldn't want to miss that!

Related entries
Good Friday in San Fernando, Pampanga
Holy Week practices in the Philippines
Visita iglesia to our heritage churches

Related article
Holy Week reflections on culture
This is a must read for tourists who visit areas with penitents. It's simple conduct we must remember. As Robbie Tantingco writes, "What our penitents do is a very personal and sacred act, and we should protect them from media who sensationalize, and tourists who trivialize, this act... Tourists should be treated as, well, tourists, to be accorded the usual courtesy and hospitality and given the necessary amenities. But tourists should not be allowed to distract or interact with the penitents; they should merely watch and observe, with as much distance from, and reverence for, the penitents as possible."

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Mar 11 2008

More art and architecture from UP Diliman

In the last entry, we mentioned Cesar H. Concio. Once the University Architect, Concio also designed Melchor Hall which houses the College of Engineering; Palma Hall which serves as the home of the College of Social Sciences and Philosophy; and the student center Vinzons Hall.

In front of Vinzons Hall is the first reinforced concrete monument in the country. People often mistake it for a monument of Bonifacio, but the Grito de Balintawak actually depicts a nameless Katipunero. It was transferred here in 1968, saved from an imminent demolition.

Beside Vinzons Hall is the College of Business Administration (CBA). Inside the CBA Lobby is a very important work of Jose Joya, National Artist for Visual Arts, known as The Barter of Panay. In front of the building is an artwork of Napoleon Abueva called The Spirit of Business.

Abueva actually has numerous works scattered around campus including: the Nine Muses at the UP Faculty Center; the Crucifix with Two Corpora at the Parish of the Holy Sacrifice; the University Gateway; Diwata at the Faculty Center; Alma Mater at the lobby of Ang Bahay ng Alumni; Three Women Sewing the First Philippine Flag, also known as Tres Marias Plaza, at the UP Donors' Garden; and the Tribute to Higher Education at the entrance of University Avenue.

Vinzons Hall and the College of Business Adminsitration stand in front of the Sunken Garden, an important center of campus life in UP Diliman. So many memories, both good and forgettable, are linked to this open field. It played host to old forgotten traditions such as the “Cadena de Amor” and the grueling ROTC Sunday trainings; to today’s UP Fair. It’s a perfect afternoon hangout, great for football or Frisbee practice, and infamous for its evening escapades. And it was wonderful the Sony Ericsson K850i Cyber-shot camera has a really useful panoramic shot feature which allowed me to capture the place in its entirety.

Part 1: UP Diliman is a showcase of art and architecture
Part 2: UP Chapel and the Church of the Risen Lord

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Mar 06 2008

UP Chapel and the Church of the Risen Lord

If you remember, I've already featured three campuses and their chapels namely the Ateneo and the Church of the Gesu, La Salle and the Chapel of the Most Blessed Sacrament, and FEU and its chapel. Now I'm featuring UP Diliman and its two chapels.

The Catholic church of UP Diliman is the Church of the Holy Sacrifice or the UP Chapel. It is a National Historical Landmark and was designated an Important Cultural Property by the National Museum owing to the fact that it stands as a testament to the creativity of not one, not two, but four national artists!

The dome-shaped structure, a fine example of Modern architecture in the Philippines, was designed by Leandro Locsin. Around the UP Chapel are fifteen large murals painted by Vicente Manansala depicting the Stations of the Cross. The marble altar and the large wooden cross above it were sculpted by Napoleon Abueva. And finally, the mosaic floor mural called the “River of Life” was designed by Arturo Luz.

Another renowned architect, Cesar H. Concio, was responsible for designing the neighboring Protestant chapel, the Church of the Risen Lord.

Part 1: UP Diliman is a showcase of art and architecture
Part 3: More art and architecture from UP Diliman

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Jun 12 2007

Australian Exhibit Opens In Manila

MANILA - "My Country: Abstract Interpretations of the Australian Landscape," a visiting exhibition from the collection of the La Trobe University Art Museum in Melbourne, Australia, opens at the Ateneo Art Gallery with a reception on 19 June 2007, Tuesday, at 5:30 in the afternoon.

The exhibition forms part of the 2006-09 Ateneo-La Trobe Art Linkage, and is part of the Ateneo Art Gallery's Engage program where works of significantartists from overseas are shown in the museum.

"My Country" shows alternatives to typical landscape painting by bringing together artists who aim to capture the essence of the Australian landscape and respond to their environment through abstraction.

The exhibition, arguably the most important collection of Australian visual art to be shown in the Philippines to date, includes the work of Australian modernist master Fred Williams, and more contemporary practitioners such as Judy Holding, as well as leading Indigenous artists like Turkey Tolson Tjupurrula.

The exhibition offers a concise overview of a continuing genre central to Australian art, and furthermore, presents uniquely different views, interpretations and processes towards landscape painting.

Preceding the reception on 19 June is an ArtSpeak lecture at 4:00 pm by "My Country" exhibition curator and Managing Curator of La Trobe University ArtMuseum, Vince Alessi. Another ArtSpeak lecture on understanding abstract art will be held on 18 July 2007 at 4:30 p.m.

"My Country" runs at the Ateneo Art Gallery from 13 June to 21 July 2007. The exhibition is supported by the Australian Commonwealth through the Cultural Relations Discretionary Grant Program of the Department of Foreign Affairs and Trade.

The Ateneo Art Gallery is open Mondays to Fridays, 8:00 a.m. to 12:00 p.m. and 1:00 p.m. to 5:00 pm, and on Saturdays, 8:00 a.m. to 12:00 p.m.

Admission is free.

For further inquiries on the "My Country" exhibition, please contact Joel de Leon, at 426-6488 or at jdeleon@ateneo.edu or visit gallery.ateneo.edu.

FOR MORE INFORMATION:

Call Clarissa Chikiamco
Project Coordinator
Ateneo Art Gallery
Ateneo de Manila University
Loyola Heights, Quezon City 1108
Tel (+632) 426-6001 ext. 4160
DL (+632) 426-6488
Fax (+632) 426-6488

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Apr 27 2007

Subanon Natives Celebrate Own Festival

Subanon natives celebrate their own cultural festival in Zamboanga del Norte province in southern Philippines. (Rene Patangan)
Podayunon og kotububu botad nog Subanon! (Long live the Subano Culture!)




ZAMBOANGA DEL NORTE - The faces of members of this tribe were a picture of happiness and pride as they chanted and danced to their own music during the festive kickoff of the Subanon Cultural Night in Canatuan, the Subanon ancestral domain in Siocon town in Zamboanga del Norte province.

The area is host to the gold-copper operations of TVI Resource Development (Phils.), Inc. (TVIRD).

Purposely launched April 22 during this year’s International Earth Day celebration, the cultural presentation served to symbolize TVIRD’s commitment to protect and preserve both the environment in Canatuan as well as the culture and tradition of the people who live in it.

The Subanon Cultural Night, held at the clubhouse within the Company premises, will become a monthly celebration – and part of TVIRD’s growing list of cultural events in Canatuan.
“This activity underscores our respect for the traditional and cultural practices of our host indigenous community in Canatuan,” Felice Yeban, TVIRD Director for Community Relations and Development Office (CReDO), said.

“We believe that a full understanding and deeper knowledge of the Subano culture will further promote a harmonious relationship with our hosts. There can be no denying that the Subanon traditional practices are a true mark of their identity handed down from generation to generation,” Yeban said.

“We view the monthly cultural night, now an official Company activity, as an opportunity for the Subanons to express their talents on a regular basis and, at the same time, promote a better understanding of their culture.”

The celebration showcased different cultural numbers and environment-inspired performances from local Subanons and members of Tribung Dipag, a cultural group based in Dipolog City (Zamboanga del Norte’s provincial capital), and known for its use of indigenous musical instruments.

These instruments include the agong (a large gong), kutapi (a two-string wooden guitar), sigitan (a bamboo guitar), kulintang (eight small gongs) and budyong (a bamboo blade).

Perfectly complementing the native instruments during the celebration were bamboo flutes and a bamboo rain stick that produces the sound of raindrops. And if the reactions of those who participated in the launching of the celebration were to be gauge, it is clear that the Subanon Cultural Night will be a much-awaited event: “We are happy that TVIRD initiated the cultural presentation, which enabled us to show our talents,” said Lydia Dandana, a member of the Subanon Council of Elders.

“We would like activities like this to continue so our culture will be preserved. The presentation is timely. The new generation of Subanons no longer practice our culture,” she said.

Alberto Mais, also a member of the Council of Elders, could not contain his elation: “We are proud of our culture. We are proud to be Subanons. I am very happy that I was able to take part in the cultural presentation. My deepest thanks to TVIRD for respecting our culture.”

“It was a real treat for us to be playing for, and jamming with, true-blue Subanons,” Jerry Rivas of Tribung Dipag. “It’s our first time to perform with the real Subanons and it was a really memorable experience.”

“The presentation was undoubtedly a huge success! The Subanons beamed with happiness all throughout the show,” Theresa Limpin, TVIRD Canatuan CReDO manager, said. “It gave them pride, and they were grateful that we are doing something to preserve and promote their culture. We will be making bigger plans for the next Cultural Night…a bigger area and a bigger celebration.”

“The launching of the Subanon Cultural Night during the Earth Day celebration gave us in TVIRD the opportunity to show that we take good care not only of Mother Earth, but of her children as well,” said, CReDO’s Jose Dagala.

In the later part of the show, the Subanons, mostly members of the Council of Elders, and TVIRD personnel led by Limpin danced the night away to the tune of modified Subano music played by Tribung Dipag and pure Subanons.

The first foreign-financed mining company to reach production stage since the passage of the Philippine Mining Act of 1995, TVIRD has endeavored to bring sustainable development to its host community through its various socio-economic development programs. The Company recognizes the need to be sensitive to the Subanon culture and to be ever mindful of their aspirations as a community.

Early this year, TVIRD initiated an Art Workshop for Subanon women, assisted by the Zamboanga del Norte Federation of Visual Artists. Participants to the workshop are planning to put up a display area or souvenir shop, even a Subanon museum in Canatuan to showcase the rich culture and tradition of their ancestors and of their men and women today. (Rene Patangan)

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